We do not look at the world from a single, fixed point. Our eyes move constantly—gathering fragments, edges, and impressions. Some are absorbed immediately; others linger as memory, resurfacing later as new associations. Seeing is layered, shaped by both the conscious and subconscious mind.
The camera, however, is bound to a single view. It isolates, frames, and fixes what is otherwise in motion. But the world is never singular. Scenes overlap. Central and peripheral visions coexist.
Through collage and montage, I fracture and reassemble this multiplicity. The resulting images do not mirror reality; they interpret it. They resist the expected photograph, disrupting conventions in order to find another way; to reflect how we actually see.
